Andreas Sommer
Nach vielen Mühen, Ausprobieren und Optimieren hat Sommerlich.art nun ein frisches neues Logo erhalten. Hier lag der Fokus ganz klar auf einer einfachen und klaren visuellen Sprache um einerseits ein hohes Wiedererkennungspotential zu schaffen. Ich hoffe es gefällt euch und ich würde mich über jeden Kommentar auf Mastodon freuen. Darüber hinaus wurden die Farben auf…
Wie jedes Jahr nehme ich an der Inktober Challenge teil. Weitere Infos zu der Challenge findet ihr auf inktober.com. Diese Jahr war es wieder ein heftiger Ritt um mitzuhalten. Ich hoffe es gefällt euch und falls ja lasst einen Kommentar bei mastodon da.
Neue Adresse Meine Webseite ist nun umgezogen auf “sommerlich.art”. Nach langen Überlegungen und einer schwierigen Entscheidungsfindungsphase bin ich zu dem Schluss gekommen, die alte Adresse “art.sommerwolke.com” aufzugeben. Hauptgrund hierfür was die Länge der URL und natürlich auch der geringe Bezug zum Inhalt der Seite. Keine Sorge, alle alten links mit “art.sommerwolke.com” funktionieren auch weiterhin. Zweisprachig…
Are you an artists and you want to present your illustrations in a realistic way, how they would look on a book? In this article I will show you how to use the software blender to generate a realistic 3D pictures for your pictures as a book cover. How the final 3D Book cover results…
Do you want to improve on drawing and painting realistic objects, light effects and stunning scenes? Than keep in mind that you are not creating parts, you try to model the reaction of light on objects, volumes and much more. The following Cheatsheet gives you an overview of the main light effects to consider. Usually…
Drawing and painting reflections on complex bodies is always hard. Not only the body and its curvatures, but also the environment and the relative position of object and viewer have to be considered. This small series of posts offer you reference sheets for selected “primitive” bodies in a simplified environment. Sky=Blue, Ground=Brown (makes sense). The…
Drawing and painting reflections on complex bodies is always hard. Not only the body and its curvatures, but also the environment and the relative position of object and viewer have to be considered. This small series of posts offer you reference sheets for selected “primitive” bodies in a simplified environment. Sky=Blue, Ground=Brown (makes sense). The…
Drawing and painting reflections on complex bodies is always hard. Not only the body and its curvatures, but also the environment and the relative position of object and viewer have to be considered. This small series of posts offer you reference sheets for selected “primitive” bodies in a simplified environment. Sky=Blue, Ground=Brown (makes sense). The…
Drawing and painting reflections on complex bodies is always hard. Not only the body and its curvatures, but also the environment and the relative position of object and viewer have to be considered. This small series of posts offer you reference sheets for selected “primitive” bodies in a simplified environment. Sky=Blue, Ground=Brown (makes sense). The…
Drawing and painting reflections on complex bodies is always hard. Not only the body and its curvatures, but also the environment and the relative position of object and viewer have to be considered. This small series of posts offer you reference sheets for selected “primitive” bodies in a simplified environment. Sky=Blue, Ground=Brown (makes sense). The…