Andreas Sommer
Drawing and painting reflections on complex bodies is always hard. Not only the body and its curvatures, but also the environment and the relative position of object and viewer have to be considered. This small series of posts offer you reference sheets for selected “primitive” bodies in a simplified environment. Sky=Blue, Ground=Brown (makes sense). The…
Drawing and painting reflections on complex bodies is always hard. Not only the body and its curvatures, but also the environment and the relative position of object and viewer have to be considered. This small series of posts offer you reference sheets for selected “primitive” bodies in a simplified environment. Sky=Blue, Ground=Brown (makes sense). The…
Drawing and painting reflections on complex bodies is always hard. Not only the body and its curvatures, but also the environment and the relative position of object and viewer have to be considered. This small series of posts offer you reference sheets for selected “primitive” bodies in a simplified environment. Sky=Blue, Ground=Brown (makes sense). The…
Drawing and painting reflections on complex bodies is always hard. Not only the body and its curvatures, but also the environment and the relative position of object and viewer have to be considered. This small series of posts offer you reference sheets for selected “primitive” bodies in a simplified environment. Sky=Blue, Ground=Brown (makes sense). The…
Drawing and painting reflections on complex bodies is always hard. Not only the body and its curvatures, but also the environment and the relative position of object and viewer have to be considered. This small series of posts offer you reference sheets for selected “primitive” bodies in a simplified environment. Sky=Blue, Ground=Brown (makes sense). The…